A list of publications directly from our team, or produced as a result of our work.

Introducing STRAUSS: A Flexible Sonification Python Package

J. Trayford and C.M. Harrison

We introduce STRAUSS (Sonification Tools and Resources for Analysis Using Sound Synthesis) a modular, self-contained and flexible Python sonification package, operating in a free and open source (FOSS) capacity. STRAUSS is intended to be a flexible tool suitable for both scientific data exploration and analysis as well as for producing sonifications that are suitable for public outreach and artistic contexts. We explain the motivations behind STRAUSS, and how these lead to our design choices. We also describe the basic code structure and concepts. We then present output sonification examples, specifically: (1) multiple representations of univariate data (i.e., single data series) for data exploration; (2) how multi-variate data can be mapped onto sound to help interpret how those data variables are related and; (3) a full spatial audio example for immersive Virtual Reality. We summarise, alluding to some of the future functionality as STRAUSS development accelerates.

Accepted for publication in ICAD 2023 (peer reviewed proceedings). To appear after July 2023.

Evaluating the efficacy of sonification for signal detection in univariate, evenly sampled light curves using astronify

J. Tucker Brown, C.M. Harrison, A. Zanella, J. Trayford

We performed testing of astronify, a prototype tool for sonification functionality within the Barbara A. Mikulski Archive for Space Telescopes (MAST). We created synthetic light curves containing zero, one, or two transit-like signals with a range of signal-to-noise ratios (SNRs=3-100) and applied the default mapping of brightness to pitch. We performed remote testing, asking participants to count signals when presented with light curves as a sonification, visual plot, or combination of both. We obtained 192 responses, of which 118 self-classified as experts in astronomy and data analysis. For high SNRs (=30 and 100), experts and non-experts performed well with sonified data (85-100% successful signal counting). At low SNRs (=3 and 5) both groups were consistent with guessing with sonifications. At medium SNRs (=7 and 10), experts performed no better than non-experts with sonification but significantly better (factor of ~2-3) with visuals. We infer that sonification training, like that experienced by experts for visual data inspection, will be important if this sonification method is to be useful for moderate SNR signal detection within astronomical archives and broader research. Nonetheless, we show that even a very simple, and non-optimised, sonification approach allows users to identify high SNR signals. A more optimised approach, for which we present ideas, would likely yield higher success for lower SNR signals.

MNRAS, 516, 5674 (2022), a pre-print is available here: 

Sound experts’ perspectives on astronomy sonification projects 

N. Misdariis, E. Ozcan, M. Grassi, S. Pauletto, S. Barrass, R. Bresin, P. Susini

This articles comes from our Audible Universe workshop, hosted by us at the Lorentz Centre in 2021. We brought together astronomers and experts in sound design and perception. One main outcome of this exchange was a global view on the astronomical data sonification paradigm for observing the diversity of tools, uses and users (including visually impaired people), but also the current limitations and potential methods of improvement. From this viewpoint, this article presents basic elements gathered and contextualized by sound experts in their respective fields (sound perception/cognition, sound design, psychoacoustics, experimental psychology), to anchor sonification for astronomy in a more well informed, methodological and creative process.

Nature Astronomy, 6, 1249 (2022), a pre-print is available here: 

Sonification and Sound Design for Astronomy Research, Education and Public    Engagement

A. Zanella, C.M. Harrison, S. Lenzi, J. Cooke, P. Damsma, S.W. Fleming

A review and perspective of sonification and sound design in astronomy (for research, education, outreach and accessibility) up until December 2021. We provide a summary of what has been done so far and success stories, as well as a discussion on why further progress and wider adoption has not been made to date. Finally we give some ideas of how to make further progress. 

Nature Astronomy, 6, 1241 (2022), a pre-print is available here:

Q&A: Accessibility in Astronomy for the Visually Impaired

J. Noel-Storr and Michelle Willebrands 

This articles comes from our Audible Universe workshop, hosted by us at the Lorentz Centre in 2021. We spoke with four researchers to understand the accessibility challenges in astronomy research, education and outreach for blind and visually impaired (BVI) persons, as well as solutions to these challenges and how it innovates data analysis methods for all astronomers. Those interviewed: Nicolas Bonne (University of Portsmouth); Cheryl Fogle-Hatch (Museum Senses); Garry Foran (Swinburne University of Technology) and Enrique Perez Montero (Instituto de Astrofísica de Andalucía).

Nature Astronomy, 6, 1216 (2022), a pre-print is available here:

Audio Universe Tour of the Solar System: using sound to make the Universe more accessible

Chris Harrison, James Trayford, Leigh Harrison and Nic Bonne  

A description of the making of the planetarium show, lessons learnt along the way and how we applied our sonification code STRAUSS to create the sonifications. 

Astronomy & Geophysics, 63 (Issue 2), 2.38-2.40 (2022), a pre-print is available here:

Audio Universe: A more accessible approach to creating shows

Chris Harrison & Theofanis Matsopoulos 

A description of the making of the planetarium show, lessons learnt along the way and how we applied our sonification code STRAUSS to create the sonifications. 

Journal of the International Planetarium Society, 51, No. 1, 18 (2022), PDF

Audible Universe - Meeting Report

Chris Harrison, Anita Zanella, Nic Bonne, Kate Meredith and Nicolas Misdariis

A short summary of the discussion points and outcomes of the workshop hosted in August 2021 called 'Audible Universe'. This workshop brought together experts in sound design, sound perception, astronomy and communication to discussion current and future applications of sonification in astronomy (for research, outreach, education and accessibility).

Nature Astronomy, 6, 22 (2022), a pre-print is available here: